
Most films would make this change from comedic crime film to blood-soaked horror a slow one, gradually easing the viewer between the genres. When things change though is when we arrive at the Titty Twister, the rowdiest bar in all of Mexico that is, as our heroes find out, run by blood-sucking vampires. Makes me think that the Gecko’s once did business with the Vega brothers. Also, this half seems to suggest that this film takes place in the same world as Tarantino and Rodriguez’s other films, with the character of Sheriff Earl McGraw (played by Michael Parks) later re-appearing in Kill Bill and both parts of Grindhouse. The majority of the scene focusing on George Clooney’s horrified face, an approach that stands out for its restraint. Violence is depicted in a relatively realistic fashion, particularly in the gruesome aftermath of an off-screen rape and murder that is shown quick, blink and you’ll miss it, flashes. The dialogue is sharp and laced with Tarantino’s usual rapid-fire style and liberal use of cursing and the odd pop-culture reference. While light on action, this half is a great way to get the ball rolling. The tone is very much in the vein of Tarantino’s films, a mixture of violence, profanity and snappy quips as our unlikely companions find themselves forced together. However, From Dusk Till Dawn isn’t so much a film of two halves, instead, it feels more like two halves of two completely different films.įor almost the first hour the film is a road trip in which criminals Seth and Richie Gecko kidnap a family to make a getaway to Mexico to escape the authorities. Some can manage this precarious juggling act while others struggle. For instance, one might start as a slow-burning character drama, while gradually transforming into scare-fest of loud clanging noises. Many films can best be described as one of two halves. Released twenty five years ago today is one such work, an unlikely melding of a road trip, crime flick and gore-drenched terror that is also one of my favourite horror films ever From Dusk Till Dawn. The pair (especially Tarantino) using their love of old school B-movie grindhouse cinema to create affectionate throwbacks that honour a proud past of good old fashioned All American schlock.

Robert Rodriguez and Quentin Tarantino have carved themselves a unique corner of the cinema landscape. Unbeknownst to the brothers and their prisoners however, the bar is a haven for a horde of vampires. Seth and Richie Gecko, a pair of escaped criminals on the run seek refuge, along with a family of hostages, in a bar on the US/Mexican border.
From dusk till dawn cast pictures how to#
Hayek will next be seen in How to Be a Latin Lover, in theaters April 24.Starring Harvey Keitel, George Clooney, Quentin Tarantino, Juliette Lewis, Ernest Liu, Salma Hayek, Michael Parks, Danny Trejo, Tom Savini, and Cheech Marin. George Clooney was like, ‘How come she doesn’t look at us?’, ‘Because I’m the writer.'” “Where of course he makes me dance only for him. “So I did it and from that dance, Quentin wrote me the part in From Dusk Till Dawn,” Hayek explained. “He said, ‘Just put a bathing suit on, and we won’t see your face.'” He and Tarantino were working on the anthology film Four Rooms (1994) and needed a stripper, so Rodriguez reached out to his Desperado star on the day of filming. Hayek was recruited to the project after doing a favor for friend Rodriguez. Because you can’t choreograph a snake, we don’t know what she’s going to do!” I had to go on trance to do the dance… And there was no choreography. “So it was good because I had to overcome my greatest fear.

To prod the actress, Tarantino claimed that Madonna was interested in the role, and that she would have no problem being wrapped in python. It’s my greatest fear,‘” Hayek recalled (watch above). “Quentin told me, ‘Oh, by the way, you’re dancing with a snake.’ I said, ‘I can’t do that, I can’t do that. Hayek said at multiple points during our recent Role Recall interview that her memories of filming the scene were blurry because she had gone “on trance” due to some serious ophidiophobia. But she doesn’t remember all that much about the actual filming. Salma Hayek remembers how she got the role of a snake-dancing stripper vampire in the Quentin Tarantino-penned, Robert Rodriguez-directed thriller From Dusk Till Dawn (1996).
